Wedding Photography Project

March 14, 2007

Low Light and Movement

Filed under: photo techniques, photography, wedding photography — admin @ 1:48 pm

Article by Mike Larson

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It’s easy to get the standard shots, especially when you are getting the bridal portraits. You go through the list in your mind of the combination of the bride’s requests, as well as your own personal order of shots you routinely do. You try to mix in something new, but often times there can be a time crunch. You end up having only have a limited time to get the necessary shots with all eyes are on you looking for direction and the coordinator is giving you the countdown, “Five minutes left!”

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This may not always be the case, but, when it happens, it’s easy to revert to what you know at this point and to just get the safe shots. However, many times we don’t have the extra time outside of weddings to practice with a bridal party to get some totally different shots. What I try to do is to break up the time I spend with the bridal party. I spend 50-60% of the time getting the shots I’ve done before, and 40% of the time on trying something new.

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At this particular wedding, I decided to have the bridesmaids circle around the bride holding hands, and then, like a carousel, move around her. Next I had the bride move in the opposite direction, looking directly at me. I dropped my shutter speed to 1/20th, and shot rapid-fire, trying to get the movement just right. 70% of my shots were useless, with way too much motion blur. However, I nailed a few of them and they became some of my new favorite images!

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Mike Larson is a wedding, portrait, and art photographer in Southern California and Hawaii. He has recently been featured in Rangefinder Magazine. You can find more information about Mike, his photography, and his seminars at www.mikelarson.com.

March 9, 2007

Shooting Technique - Flash + Fireworks

Filed under: flash, photo techniques, photography, wedding photography — admin @ 4:41 pm

Article by Neil van Niekerk

Photographing people with fireworks in the background, is just an application of the technique known as dragging the shutter.

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I had the couple in an area where there wasn’t much ambient light, so that I could light them mostly with flash. The strobe was a Quantum T2 with an umbrella.

My flash exposure was determined in that I wanted the couple correctly exposed .. but my actual settings were dictated by my choices made in how I wanted the fireworks to register.

For my fireworks exposure, I had to juggle the three controls again :
shutter speed / aperture / iso.

That particular photograph was 1 sec @ f6.7 @ 400 iso

You don’t necessarily want a high iso .. because you want your shutter speed to be slow. Slow enough to record the fireworks as streaks of light. There is a lot of leeway here .. and chimping will tell you whether you need to adjust your settings. Therefore your is range should be 100 to 400 iso. Then your shutter speed should be 1 second or slower. In other words, you need a tripod.

Recording multiple bursts of fireworks by blanking out the frame with a black card is a great idea. This photograph was a single exposure though.

By chimping other firework bursts, I found that f6.7 @ 400 iso @ 1 sec gave me enough firework trails and the fireworks itself weren’t over-exposed in the shot.

So using f6.7 @ 400 iso, I set my Quantum T2 to an appropriate power level, to give me that exposure. (Manual flash in this instance, since my subject was in a specific position in relation to my strobe.)

f4.5 @ 200 iso @ 2 seconds .. would’ve given me exactly the same exposure, but the firework trails would’ve been longer. There is a lot of leeway here, and you shouldn’t be bound by specific settings. But my suggestion would be to start at 1 second (or slower) and 400 or 20O iso … and chimp to taste. Rear-curtain sync would not have had any effect here, since the couple was static in the frame.

Neil van Niekerk is originally from Johannesburg, South Africa, but now resides in New Jersey where he works as a full-time professional photographer. Neil’s photography business is known as One Perfect Moment and concentrates on wedding and portrait photography. Neil also maintains the Planet Neil website, which (as Rangefinder magazine describes it), is an unusual and informative web site dedicated to digital imaging. You can find Neil’s upcoming seminars here.

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