Wedding Photography Project

February 18, 2009

Radiopopper PX Review

I just got some new toys tools for wireless, off-camera flash called Radiopopper PX. What they basically do is take Canon wireless flash technology and make it useful somewhere besides in a dark room with the flashes pointed at each other. You then use the flash system on your flash to set up lighting ratios, manually change the flash settings, use automatic flash without having the light source coming from on top of your camera. Today I took my son and Sounders FC superfan, Kyler, to the park to play with the system.

I wanted to test a few things: the High Speed Sync, speed of operation, and a comparison of the eTTL system versus the manual flash adjustments that I usually do. I used a flash 580EX flash on my camera acting as the master unit with a Radiopopper PX transmitter attached to the top of it and two 550EX acting as slaves with the Radiopopper PX receivers attached.

This is what I envisioned when we went to the park.  I used the Radiopoppers to transmit the fire signal and the manual flash adjustments while keeping my shutter speed at the 1/200th top speed that the Canon 5D allows for traditional flash systems.

This is what I envisioned when we went to the park. I used the Radiopoppers to transmit the fire signal and the manual flash adjustments while keeping my shutter speed at the 1/200th top speed that the Canon 5D allows for traditional flash systems.

This image was taken using the high speed sync allowing for a much more shallow depth of field.

This image was taken using the high speed sync allowing for a much more shallow depth of field.

I really liked this image.  Ky loves soccer and is really excited for MLS to be coming to Seattle (Sounders FC season starts March 19).  For this I used the eTTL system rather than manually setting the flash and I was pleasantly surprised at the nicely exposed result.

I really liked this image. Ky loves soccer and is really excited for MLS to be coming to Seattle (Sounders FC season starts March 19). For this I used the eTTL system rather than manually setting the flash and I was pleasantly surprised at the nicely exposed result.

radiopopper-px-004

This is more what I expected from eTTL.  The camera saw the bright lightsource in the frame and didn't use enough flash power (even though the fired) to make a proper exposure.

This is more what I expected from eTTL. The camera saw the bright lightsource in the frame and didn't use enough flash power (even though the fired) to make a proper exposure.

In this image, I switched to manual flash exposure and I had a much better exposure.  This image is processed identically to the image before it so that it is an apples to apples comparison.

In this image, I switched to manual flash exposure and I had a much better exposure. This image is processed identically to the image before it so that it is an apples to apples comparison.

This image shows the shallow depth of field that is possible using high speed sync and a fast lens.

This image shows the shallow depth of field that is possible using high speed sync and a fast lens.

Same as the image before, but with the focus on his face rather than his hands.

Same as the image before, but with the focus on his face rather than his hands.

Another using the high speed sync to make him pop from the background.

Another using the high speed sync to make him pop from the background.

Testing the range.  I was about 150 feet away.  Really all that I need it to work at would be this range.  The system is supposed to work at 1700 feet.  Nice, but not necessary for me!

Testing the range. I was about 150 feet away. Really all that I need it to work at would be this range. The system is supposed to work at 1700 feet. Nice, but not necessary for me!

The front of his jersey.  This image was shot at 1/6400 of a second with a full power flash.

The front of his jersey. This image was shot at 1/6400 of a second with a full power flash.

This image of my amazingly handsome son was taken at f2 for the shallow depth.  Again using HSS.

This image of my amazingly handsome son was taken at f2 for the shallow depth. Again using HSS.

Again using the two flashes and HSS.  The shallow depth of field throws the trees and sky out of focus and makes them shapes rather than trees.

Again using the two flashes and HSS. The shallow depth of field throws the trees and sky out of focus and makes them shapes rather than trees.

These last three images are for illustration of the Manual versus eTTL.  The first is taken with manual flash, the second is eTTL.  The third is eTTL with +2 stops of exposure compensation.

These last three images are for illustration of the Manual versus eTTL. The first is taken with manual flash, the second is eTTL. The third is eTTL with +2 stops of exposure compensation.

radiopopper-px-016

radiopopper-px-017

My conclusions are that the Radiopopper PX system works really well for doing portraits. The system fired the flashes every time the flashes were ready and charged. It works well at distance. It provides a reliable system to use the HSS (high speed sync) allowing for flash and shallow depth of field at the same time. And it allows me to change my manual flash settings without going over to the flash and pushing buttons (I can push buttons from wherever I am with the camera).

Where it falls down in my mind is the difficult installation (you actually have to semi-permanently attach it to the flashes you are going to use rather than take it on and off at will) and the fact that it is limited to speed of operation of the Canon wireless flash system. I tested it on motor drive and was able to get only four out of 12 to fire at 1/128 power at three frames per second (frames 1, 2, 3, and 9 of the 12). This was because the Canon master flash was not ready, not because the Radiopoppers or the receiving flashes were not ready.

Finally, I found that I got the results that I wanted most consistently when I used manual flash exposure. The eTTL was right about 75% of the time, but for me being wrong 25% of the time doesn’t cut it.

It is a very cool time to be a photographer with all the awesome equipment available!

February 7, 2008

2nd & 2nd Place!

We had a tie in the voting for 2nd place.  Luckily for me, they both get the same prize - Rank Higher:  Flash Website Otpimization for Professional Photographers DVD published by BigFolio!

Dustin Izatt of Digital Izatt

Dustin Izatt of Digital Izatt

 DI 01 was that same brides wedding.  It once again started to sprinkle and then another torrential downpour.  While everyone began to seek shelter, she ran out ot the middle of the lawn and cried out “This is what we do Dustin” I left shelter and once again began shooting in the pouring rain.  A few other brave guests joined her in the rain and that’s when I grabbed this shot.  Shot on my 5d with 70-200 L IS attached.  Available light shot at 1600, 1/100th, at f/2.8

Brad Wolf of SOTA in Washington DC

Brad Wolf of SOTA in Washington DC and StudioThisIs in Chicago

This image was shot on August 28 of 2007 on Grand Manan Island, New Brunswick, Canada. This was actually the wedding of my best friend/co-owner of SOTA/StudioThisIs, Jeremy Bustos and his beautiful wife, Hailey. We took the entire day after the ceremony to shoot several different locations and scenarios. After rowing into shore from a lobster boat, the crew of about 7 of us got set up and shot away! The result was the image above. It was one of the moments when everything just clicks!  The image was also shot with  Nikon D200, 100 ISO, 1/1250 SS, F6.3 with a pocket wizard-slaved Quantum Qflash T5D w/ Turbo Pack. 

Photo Contest - Places 4-10!

These are the images that made up places 4-10.

Brad Wolf

Brad Wolf of SOTA Weddings in Washington DC and StudioThisIs in Chicago

This image was just shot on Dec. 30 of 2007 on Oahu, Hawaii. The couple had contacted us almost year and half ago to shoot their wedding “Non-Hawaii” Hawaii wedding. We brainstormed several ideas and I began seeing this image in my mind. We found an old parking lot on the ocean, the clouds rolled in and we had no more than 5 mins before the down pour! I guess sometimes that’s all it takes to get the image you’re looking for! The image was shot with a Nikon D200, 100 ISO, 1/125 SS, F7.1 with a pocket wizard-slaved Quantum Qflash T5D w/ Turbo Pack.

Josh Lynn

Josh Lynn of New Jersey

Another bad weather image (I seem to excel when its nasty out!) This was
taken this past November and the couple had wanted sparklers. With the
rain we had to do everything quickly. The burst of light you see is a
Sunpak 120J on a monopod being held by my assistant mixed in with the
crown. He was simply instructed to pan with the couple as they went
past. Minimal post processing was done.

Michelle Moore

Michelle Moore of Washington State

This image was created as a bridal fashion piece I put together in
late winter. I worked with a fabulous team of hair & makeup artists,
a model (from Canada!), and a stunning hand-made gown. Having all
these pieces helped my final image look polished. I worked with the
model in a very fluid & natural way. I found my composition &
lighting, and had let the model do her thing. I gave her a sense of
the “mood”, and I found this pose to be the most successful. In post
I made the image very “warm” and added a light texture to mimic the
texture of the dress.

Nick Kuchare of BlueNaluPhotography

Nick Kuchar of BlueNaluPhotography

This image was taken at a wedding last October at Sea Brook Island. It was taken at ISO 320, f/5.0, 1/500 sec. We were at the beach and I noticed a large, shallow tide pool. It was perfect for the shot. I found the repetition of the groomsmen interesting, but my favorite part is how they are doing different things with their hands. In Photoshop I used a couple curves layers for contrast and color balance.

Ben Rogers of Studio Infinity

Ben Rogers of Infinity Studios in Australia

This image is actually a crop of the group photo. I love the expressions
on the parents of the bride and groom which the crop helps accentuate.

Adam Hudson Photography

Adam Hudson

This image is actually a crop of the group photo. I love the expressions
on the parents of the bride and groom which the crop helps accentuate.

Jayme Morrison

Jayme Morrison

Sharpen
Hue/Saturation
Painted Shy and Clouds
Contrast
Burn (dress)
Soft Edge Vignette

Amy Sayers of Red Leaf Studios

Amy Sayers of Red Leaf Studios in Canada

Capture: Canon 5D, 70-200mm f/2.8 IS ISO: 400, Shutter: 1/800 sec, F-Stop: f/2.8.
This image was captured in a meadow with tall grass, about 1 hour prior to sunset. I was crouched low to the ground, and had the sun positioned to the right of the couple. The photo was taken in Aperture Priority, and exposed to allow the light to wrap around the couple. The grass in the foreground created both visual interest and depth to the image.

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